Date: Tuesday, October 18, from 7:00 to 9:00 pm. Admission is free. Tell your friends.
Location: Vermillion, an art gallery, bar, and neighborhood gathering place at 1508 11th Ave, Seattle
We will bring together a few 9e2 participants to talk about what we’re up to. Read on below for details.
We’ll be pulling together some of the people working on 9e2 projects. Stay tuned.
This time we’ll be revisiting the topic of art and technology, and bringing in art and science as well. As many of you know, I’ve been working for months with a talented group of people to put on “9e2,” which will happen in less than ten days, from October 21 through 29, upstairs at King Street Station. It is shaping up to be a beautiful event. For this conversation, I want to talk about a few of the 9e2 performances and projects, and more broadly, we will be talking about how art and technology intersect, and what effects art can have on the investigations of science.
This series has encountered art and technology before from a number of angles. This time, we’ll cover that intersection within the frame of specific current and coming technologies and changes in the way we make art and bring it to an audience. I want to look at Seattle’s role in an ongoing technological revolution, and the direct intersections here between art, technological development, and scientific research. I’m especially curious as to how the new intersections can help us move toward a culture of sustainability and social justice.
The basic description of 9e2: in 1966 Robert Rauschenberg and Billy Klüver, a Bell Labs engineer, got together to produce the first major festival of art and technology in New York City. Titled “9 Evenings: Theatre and Engineeering,” the event had ten artists teamed up with 30 Bell Labs engineers and technicians to produce nine evenings of performance art driven by some of the newest technologies of the time: infrared cameras, live onstage video projections, Doppler sonar, remote-controlled moving platforms, biofeedback, and more. The artists included Rauschenberg, John Cage, and a group of dancers and choreographers who have since become legendary: Yvonne Rainer, Lucinda Childs, and Deborah Hay.
This month, we are celebrating a half century since the original a new festival of art, science, and technology. With 11 performances and 17 installations, we are commemorating the half-century since 1966, while we explore new directions and intersections.
I’ll be corralling a few of the participants to come and talk about what they are up to, and we will all address a broader view of where we stand and where we are going. I’ll let you know who those are closer to the event.
And come to 9e2. Here is website, and the calendar. Opening night will be spectacular.